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| Venice, multicoloured aquatint, 50 x 25 cm 1996 |
Munich, multicoloured aquatint, 50 x 25 cm 1996 |
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| Vienna, multicoloured aquatint, 50 x 25 cm 1996 |
Zagreb, multicoloured aquatint, 35 x 15,5 cm 1995 |
These aquatints by Antun Mates, who belongs to the top of the contemporary
Croatian graphic art, are a thematically closed cycle of Zagreb themes. This
outstanding graphic artist did not accidentally choose the graphic discipline
of the aquatint, "the most painterlike technique of all" in graphic art, close
to the watercolour in which this painter is a superior and unrivalled master.
The harmony is obvious, the master is consistent in his hypersensitivity which
he never hides by top-level skill and extraordinary virtuosity. This "lesson"
about respecting graphic skills is exemplary, in it is the solution to many
dilemmas, concerning both the metier and the professional ethics, if there
are still people who care about that. This top-level professional "lesson"
is visible in these remarkable aquatints, the professional ethics is present
in the fact that the graphic art by Mates represents a temptation "in spite
of the unherolike time". Sapienti sat!
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